On Level 1 objects and architectures emerge from a darkened space, contained within newly built gallery walls. Gander’s works are included in both international public and It was cast directly from an actual willow tree, and the sleeping bag is a cast rubber mold made to withstand extremes in climate and temperature. “Liz Magor: BLOWOUT” is on view at the Carpenter Center from January 31–March 24, 2019. Liz Magor. Often playing soft against hard, she pairs care with exposure. Liz Magor’s sculpture quietly dramatizes the relationships that develop between objects. liz magor The new bronze sculpture is in the form of a hollow tree trunk, sealed at both ends with a sleeping bag protruding from one end. Make every show like it’s your last ... Art Prize ( š), the Baloise Art Statements of the Art Basel ( š) and the Dutch Prix de Rome for sculpture ( “). Liz Magor (b. Liz Magor’s new body of work, that is on show at her solo exhibition “BLOWOUT” represents a critical juncture in artist’s practice. After the San Francisco art space 500 Capp Street laid off its head curator last week, sculptor Liz Magor has decided to terminate her exhibition, titled “TIMESHARE,” before its … 1948, Winnipeg; lives/works: Vancouver) is an artist whose practice has centred primarily on sculpture for over four decades. Liz Magor Vancouver, BC Contemporary Art Gallery Opening reception: Thursday, September , ‘– pm. Magor’s delicate copies are often combined with found ephemera, whether tiny vices—such as cigarettes, candy, and alcohol—animals in the form of taxidermied birds and stuffed toy dogs, or small mementos given to her by friends. In her new show, the BC-based artist lays out a series of tables set with a beggar’s banquet for the disenchanted, a statement on consumerism run amuck. Since the 1970s, Liz Magor’s sculptures, installations and photography have established her as one of Canada’s leading contemporary artists. Liz Magor’s new body of work, that is on show at her solo exhibition “BLOWOUT” represents a critical juncture in artist’s practice. Episode #244: While working on a cast sculpture of a paper bag, Liz Magor describes her Vancouver studio as a place for pleasure as well as productivity. Liz Magor makes uncannily realistic casts of humble objects—garments, cardboard boxes, ashtrays—that speak to mortality and local histories. Using traditional mould-making techniques, Magor replicates everyday objects either as discrete, uncanny forms, or spliced together with an unrelated quotidian object of her environment. Liz Magor’s sculpture quietly … https://www.gallery.ca/magazine/artists/reality-art-and-life-the-work-of-liz-magor Liz Magor just gets better and better.