His Graffiti Composition (2002) posted musical notes on walls around Berlin, compiled photographs of them as they faded, and is performed in concert. Other guests that night included Todd Rundgren, Taj Mahal, Pat Metheny, and Nanci Griffith. 1 through May 2, Leslie Thornton at Winkleman through February 5, and Stephen Vitiello at Museum 52 through February 12, with his High Line installation continuing through June. His mother was American so he held a double nationality. Early work includes a series of ‘Recycled Records’ (1980-86), fragmented and reassembled vinyl records that became hybrid objects that could be … 1955), presenting a selection of works focusing on his sound compositions, from graphic scores to video installations. Christian Marclay: Compositions April 12th, 2019 to September 24th, 2019 This exhibition will be the first for over a decade in Spain devoted to the Swiss-American artist Christian Marclay (b. Further reading Alan Licht, ‘CBGB as Imaginary Landscape: The Music of Christian Marclay’, in Christian Marclay, exhibition catalogue, Hammer Museum, Los Angeles 2003, pp.88–103. Shuffle (2007) and Ephemera (2009) are also musical scores. His critically acclaimed film The Clock (2010) compounded hundreds of film scenes where a clock or a watch displays a certain time. In Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material.Featuring texts by Max Maxwell, this book documents the collaboration between the artist and Snapchat in an innovative project mixing the sounds and images … the work of acclaimed Swiss-American artist Christian Marclay (b. Christian Ernest Marclay plays with perception and human experience of sensory data. The artist is also accredited with inventing “turntabilism”, where one can manipulate sounds using two or more turntables. Newsweek responded by naming Marclay one of the ten most important artists of today. [12] In Five Cubes (1989), he melted vinyl records into cubes. Christian Marclay is an American-Swiss artist known for his sculptures, videos, and music, especially his sound collages. Christian Marclay’s Telephones, created in 1995, was a skilfully edited arrangement of black-and-white, as well as color film clips that highlighted different subjects utilizing an array of telephones, all designed before the smartphone era that we live in today. [14] In 2016 he produced Made to Be Destroyed, a compilation of film clips showing the destruction of art works or buildings. The artwork itself functions as a clock: its presentation is synchronized with the local time, resulting in the time shown in a scene being the actual time. Marclay sometimes manipulates or damages records to produce continuous loops and skips,[10] and has said he generally prefers inexpensive used records purchased at thrift shops, as opposed to other turntablists who often seek out specific recordings. Josephine Meckseper by John Reed For over 20 years Christian Marclay has been creating works that explore the intersection of the aural and the visual, reflecting on the nature of how sound and image are related. Christian Marclay transforms sounds and music into visible, physical form throu… [2], Christian Marclay was born on January 11, 1955 in San Rafael, Marin County, California, to a Swiss father and an American mother and raised in Geneva, Switzerland. As in his music and video works, which splice together found recordings and film footage, the comic book segments are culled and re- contextualized in vibrant, dynamic ways. Fraenkel Gallery is pleased to present new work by Christian Marclay, incorporating collage, video animation, and photography. From the outset of his career, Marclay has engaged with experimental music, investigating the relationship between sound and vision, Marclay began his exploration into sound and art through performances with turntables in 1979, while he was still a student. "Christian Marclay | Biography, Albums, Streaming Links", "To the Last Syllable of Recorded Time: Christian Marclay,", "Christian Marclay | Made To Be Destroyed (2016)", "Live Improvisations - Christian Marclay | Songs, Reviews, Credits", Blake Gopnik, "The 10 Most Important Artists of Today", Rundown of the Winners of the Golden and Silver Lions at the 54th Venice Biennale", "Christian Marclay: The Clock – Exhibition at Tate Modern", "Christian Marclay: Sound Stories | LACMA". 1955) is a New York-based visual artist and composer whose innovative work explores the juxtaposition between sound recording, photography, video and film. September 18, 2020 The artist and composer Christian Marclay works with the interplay of sound and images through a variety of media, ranging from performance to printmaking, video, and collage. Born 1955 San Rafael, California Lives and works in London and New York City Education 1975-1977 Geneva, Switzerland, Ecole Supérieure d’Art Visuel 1977-1980 Boston Massachusetts College of Art, Bachelor of Fine Arts 1978 Cooper Union in New York exchange student program Awards 2016 Contemporary Vision Award, SFMOMA, San Francisco, CA 2011 The Golden Lion, Venice Biennale, Venice, Italy 2010 Aurora Award, Houston, TX 2009 The Larry Aldrich Award, The Aldrich Contemporary Art … 1955), who currently lives and works in London, and will include a selection focusing on his sonic compositions, from graphic scores to video installations. White Cube Mason’s Yard is pleased to present an exhibition by Christian Marclay. More recently, he has explored his interest in a related abstract concept—time—by compiling clips from an enormous range of films into a 24-hour, single-channel video titled The Clock (2010). Audio of "Tabula Rasa" (2005) for three turntables and cutting lathe by Christian Marclay and Flo Kaufmann. Marclay has performed and recorded both solo and in collaboration with many musicians, including John Zorn, William Hooker, Elliott Sharp, Otomo Yoshihide, Butch Morris, Shelley Hirsch, Flo Kaufmann and Crevice; he has also performed with the group Sonic Youth, and in other projects with Sonic Youth's members. When Christian Marclay moved from New York to London, in the summer of 2007, he left behind some of his most valued possessions: hundreds of … A review in Spin at the time cited Marclay's "coolest theatrical gesture" in his live performances of phonoguitar: the artist strapped a record player onto himself and played, for example, a Jimi Hendrix album. 15), 2012, Actions: Spurt Splat Thwump Splsh (No.1), 2014. His work has an immediacy and a sense of connectedness rarely … [8] Marclay has occasionally cut and re-joined different LP records; when played on a turntable, these re-assembled records will combine snippets of different music in quick succession along with clicks or pops from the seams[11] – typical of noise music – and when the original LPs were made of differently-colored vinyl, the reassembled LPs can themselves be considered as works of art. At the time of its release, technology was just reaching its peak, which is why Telephonesbecame a breakthrough piece that is often celebrated today for its pioneering role in the history of video art. Marclay began exploring sound in 1979, in performances in which he would manipulate turntables, playing them as if they were traditional instruments. Accumulating dust and fingerprints would enhance the sound. He was filmed performing a duo with Erikm for the documentary Scratch. "[1] His own use of turntables and records, beginning in the late 1970s, was developed independently of but roughly parallel to hip hop's use of the instrument. [18] Accepting the Golden Lion, Marclay invoked Andy Warhol, thanking the jury "for giving The Clock its fifteen minutes".[19]. The Clock is an art installation by video artist Christian Marclay. Marclay's work explores connections between sound, noise, photography, video, and film. Celebrated as a pioneer of turntablism, Marclay transforms sound and music into visual and physical forms through performance, collage, sculpture, large-scale installations, photography, and video. A related review looks at Marclay's sound art. His work is in the collection of Centre Georges Pompidou, Paris; Kunsthalle Zurich; Museum of Modern Art, New York; Musée d’Art Contemporain, Montreal; Philadelphia Museum of Art; San Francisco Museum of Modern … Audio of "Phonodrum" by Christian Marclay from, Winnipeg Art Gallery: Christian Marclay's The Clock. “I’ve always been interested in how sound is visualized,” he explains. Fusing sound with text and found objects, Christian Marclay’s work draws upon the characteristics of a variety of media to visually capture the nature of sound itself. European Graduate School: Christian Marclay. Marlcay was born in California in 1955 and raised in Geneva, Switzerland. [8] These duos with Henry might be the first time a musician used records and turntables as interactive, improvising musical instruments.[9]. Taj Mahal, Pat Metheny, and Nanci Griffith a selection of focusing. And heard Sanematsu ( 28 March 2002 ) that feature clocks or timepieces, he began songs. 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